Tuesday, November 27, 2018

The View from the Mithymnautica Portico


Another part of the Corsican screen.

© 2018 lcmt
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Sympathy Indeed Was Not Wanting


© 2018 lcmt
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A Plain Gallop Overstride Onto A Cramped Anti-Djinn Jamboree


Two-thirds of the newspapers that originally printed this Geranium Lake Properties panel in 1987 used the word “Overstrike” instead of “Overstride” in the caption. Looking at a Xerox copy of the handwritten note that accompanied the artwork, I can’t really tell if the letter in question is a “d” or a “k”.

We sometimes refer to the captions for GLP comics as titles, but the correct term is caption.

© 2018 lcmt
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Friday, November 9, 2018

A Grotrolem Decomposition of an Anise Seed


Named after Georgy Gustav Grotrolem, geometrist, born 1790, died sometime after 1868. On January 28, 1898, a body identified as Grotrolem’s was found in the attic of a house on Rue Espariat in Aix-en-Provence. His major work was published in Gesammelte Werke im Volumenschattengraphik, 1863.

Today’s GLP panel is one of the many misprints from Newark’s Star-Ledger preferred by Yost over the error-free reproductions. He liked this one so well that he apparently destroyed his original artwork, and we only have this image in the collection of GLP slides gifted to us by Yost’s assistant, Ha Kim Ngoc.

© 2018 lcmt
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Wednesday, October 31, 2018

Bagri Maro and the Matacaballos


Bagri Maro is the hero of Tales of a Horse Scorpion, a series of novels by Raymond Lully. The setting of the novels is a future Earth where humans have become extinct and the world is dominated by five races of intelligent arthropods. Wm. Yost said he encountered the work of Raymond Lully in his early teens, when he saw the novels in a comic book, in a depiction of Dr. Strange's library by Steve Ditko.

© 2018 lcmt
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Saturday, October 6, 2018

Thursday, October 4, 2018

According to the Myths of Crow


The singular nature of Yost’s creative energy impelled him to make numeous GLP comics inspired by the poems in the book Crow by Ted Hughes. It was nowhere near the obsession Yost had for “The Yellow Wallpaper” by Charlotte Perkins Gilman, but it was a preoccupation that lasted several years in the late 80’s. His final Crow piece was this one, a visual poetry broadsheet combining six interrelated abstract comics in the Geranium Lake Properties format. (Made with the help of Bil Sabab, aka Volodymyr Bilyk, and Phil Openshaw, aka Phil Openshaw.)

© 2018 lin tarczynski
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A Tile From the Kitchen on Eleanor Avenue

Yost’s depiction of a tile from the kitchen floor of the Other Space Museum and Coffee House. Cardamom is the signature spice at the Coffee House. I can recommend the Latte for the Sky (cardamom and coconut milk).

© 2018 lcmt
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Inanna Ascendant



© 2018 lcmt
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Tuesday, February 6, 2018

Ancient Quincuncial Networks


Jainne Lummrey was a postgraduate student at Newcastle University, studying the history and literature of early modern Britain, when she discovered Geranium Lake Properties in the British comic magazine Viz. (GLP appeared irregularly in Viz from 1987 to 1991, according to a deal with John Brown that was independent from Yost’s agreements with his other comics syndication services.) Jainne wrote to Yost after the “Ancient Quincuncial Networks” panel was published in May 1990. Thus began an ardent correspondence that lasted for nine years, until Jainne Lummrey’s death in 1999. Yost last letter arrived at Jainne’s London address two days after the police discovered her body. The letter was sent from New Zealand, postmarked the day before Yost disappeared after boarding a ferry from Auckland to Rangitoto Island.

A Tale of Congenial Confusion Between Bronze, Iron, Calico and Velveteen


No-one noticed that this story was unfinished until five years later, when Yost published “The Conclusion To A Tale of Congenial Confusion Between Bronze, Iron, Calico and Velveteen”.

Begriffsschrift


Beriwa Tholdry is one of the Four Twilight Kingdoms in Geranium Lake Properties. It has been almost universally accepted among fans of GLP that the names of the Twilight Kingdoms are anagrams of friends or relatives of Wm. Yost, who had his own rules for making the anagrams he used in GLP comics. Most of the rules he kept secret, I know only two of them. He never used the letter “p” except under special circumstances, and he always made four letter changes. Four was a number of extraordinary significance for Yost.

One of my friends over at Ello, comandantechispas, a true master of anagrams, came up with a notable solution to the “Beriwa Tholdry” anagram: “writable hydro”. Writable water as a concept seems to me an entirely suitable (and perhaps even essential) element in the GLP universe.

© 2018 lcmt
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