Visual poetry. Poetry comics. Visual poetry comics. Asemic abstract comics.
Wednesday, October 31, 2018
Bagri Maro and the Matacaballos
Bagri Maro is the hero of Tales of a Horse Scorpion, a series of novels by Raymond Lully. The setting of the novels is a future Earth where humans have become extinct and the world is dominated by five races of intelligent arthropods. Wm. Yost said he encountered the work of Raymond Lully in his early teens, when he saw the novels in a comic book, in a depiction of Dr. Strange's library by Steve Ditko.
© 2018 lcmt
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Labels:
abstract comics,
artifact,
asemic,
asemic writing,
bagri maro,
geranium lake properties,
glp,
lcmt,
lin tarczynski,
raymond lully,
vispo,
visual poetry,
visual poetry comics
Tuesday, October 30, 2018
Thursday, October 25, 2018
Thursday, October 18, 2018
Ortsetong
Labels:
abstract comics,
animated gif,
artifact,
asemic,
asemic writing,
geranium lake properties,
gif,
glp,
lcmt,
lin tarczynski,
ortsetong,
vispo,
visual poetry,
visual poetry comics
Monday, October 15, 2018
Thursday, October 11, 2018
Tuesday, October 9, 2018
Monday, October 8, 2018
Sunday, October 7, 2018
On Fire And No
Saturday, October 6, 2018
A Canticle for Horus Venose
Horus Venose is a deity that started nudging its way into my consciousness several months ago. I have yet to find any myths about him, but images of his physical appearance occasionally flicker into the view of my mind’s eye. I get the feeling he is not a god of the Jackalopian cosmos feature so prominently in the Geranium Lake Properties comics.
© 2018 lcmt
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Labels:
abstract comics,
artifact,
asemic,
asemic writing,
geranium lake properties,
glp,
gods,
Horus Venose,
lcmt,
lin tarczynski,
vispo,
visual poetry,
visual poetry comics
Friday, October 5, 2018
A View of the Galahadian Tropical Zone
Thursday, October 4, 2018
According to the Myths of Crow
The singular nature of Yost’s creative energy impelled him to make numeous GLP comics inspired by the poems in the book Crow by Ted Hughes. It was nowhere near the obsession Yost had for “The Yellow Wallpaper” by Charlotte Perkins Gilman, but it was a preoccupation that lasted several years in the late 80’s. His final Crow piece was this one, a visual poetry broadsheet combining six interrelated abstract comics in the Geranium Lake Properties format. (Made with the help of Bil Sabab, aka Volodymyr Bilyk, and Phil Openshaw, aka Phil Openshaw.)
© 2018 lin tarczynski
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A Tile From the Kitchen on Eleanor Avenue
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