Thursday, October 4, 2018

According to the Myths of Crow


The singular nature of Yost’s creative energy impelled him to make numeous GLP comics inspired by the poems in the book Crow by Ted Hughes. It was nowhere near the obsession Yost had for “The Yellow Wallpaper” by Charlotte Perkins Gilman, but it was a preoccupation that lasted several years in the late 80’s. His final Crow piece was this one, a visual poetry broadsheet combining six interrelated abstract comics in the Geranium Lake Properties format. (Made with the help of Bil Sabab, aka Volodymyr Bilyk, and Phil Openshaw, aka Phil Openshaw.)

© 2018 lin tarczynski
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A Tile From the Kitchen on Eleanor Avenue

Yost’s depiction of a tile from the kitchen floor of the Other Space Museum and Coffee House. Cardamom is the signature spice at the Coffee House. I can recommend the Latte for the Sky (cardamom and coconut milk).

© 2018 lcmt
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Inanna Ascendant



© 2018 lcmt
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Tuesday, February 6, 2018

Ancient Quincuncial Networks


Jainne Lummrey was a postgraduate student at Newcastle University, studying the history and literature of early modern Britain, when she discovered Geranium Lake Properties in the British comic magazine Viz. (GLP appeared irregularly in Viz from 1987 to 1991, according to a deal with John Brown that was independent from Yost’s agreements with his other comics syndication services.) Jainne wrote to Yost after the “Ancient Quincuncial Networks” panel was published in May 1990. Thus began an ardent correspondence that lasted for nine years, until Jainne Lummrey’s death in 1999. Yost last letter arrived at Jainne’s London address two days after the police discovered her body. The letter was sent from New Zealand, postmarked the day before Yost disappeared after boarding a ferry from Auckland to Rangitoto Island.

A Tale of Congenial Confusion Between Bronze, Iron, Calico and Velveteen


No-one noticed that this story was unfinished until five years later, when Yost published “The Conclusion To A Tale of Congenial Confusion Between Bronze, Iron, Calico and Velveteen”.

Begriffsschrift


Beriwa Tholdry is one of the Four Twilight Kingdoms in Geranium Lake Properties. It has been almost universally accepted among fans of GLP that the names of the Twilight Kingdoms are anagrams of friends or relatives of Wm. Yost, who had his own rules for making the anagrams he used in GLP comics. Most of the rules he kept secret, I know only two of them. He never used the letter “p” except under special circumstances, and he always made four letter changes. Four was a number of extraordinary significance for Yost.

One of my friends over at Ello, comandantechispas, a true master of anagrams, came up with a notable solution to the “Beriwa Tholdry” anagram: “writable hydro”. Writable water as a concept seems to me an entirely suitable (and perhaps even essential) element in the GLP universe.

© 2018 lcmt
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Sunday, December 17, 2017

Saturday, December 16, 2017

Rainwater Mama


Yost often challenged other artists to make Geranium Lake Propeties comics. For a shy eccentric, he could be surprising brazen when inviting people to participate in the GLP universe. Al Hischfeld, Saul Steinberg, Charles Addams, Shel Silverstein (who all declined) were among the many Yost asked to contribute a GLP panel.

Today's post is by Gina Garey, who worked as an inker and colorist for Marvel Comics in the 70's and 80's, when she was married to editor Fred Garey. She started her career at the age of 17, painting animation cels. Her divorce from Garey ended her employment with Marvel, but she immediately found a job at DC Comics, where she worked for five years, then she quit comics altogether. After that she dedicated herself to making zines and mail art. She came out of professional retirement in 1993 to work with Vertigo Comics until 1996. She died in 2001 of cancer at the age of 72. She always signed her zine and mail art as "uggi". At Marvel, DC and Vertigo she was always credited as Gina Garey, even after her divorce. Her legal name was Ursula Regina Garey Iversen.

GLP historian Michael Veerduer has a theory that "hrera dachre" was derived from four names of democratically-elected leaders who were assassinated by CIA, but he has not been able to decode it and tell us the four names.

© 2017 lcmt
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The Sycorax Gender Paradox



© 2017 lcmt
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Tuesday, November 7, 2017

Patchy Kettle's Lantern


Today is Lantern Day, which honors Patchy Kettle, the most merry of the Jackalopian gods, and the favorite god of jackalope children. A lantern is Patchy Kettle's commonest symbol, an accoutrement he carries both night and day. The description of the lantern differs from story to story, it is sometimes made of copper or bronze or rusted iron, or carved from chalcedony, or constructed of bones and wire, using chicken bones. The light has been provided by sheep tallow candles, or fueled by pumpkin seed oil or urine or salt. People often misunderstand the lamp of Patchy Kettle, confusing it with the lamp of Diogenes, who lit his lamp in the daylight to search for an honest man. Patchy Kettle had this to say about honest men:

The problem with "calls for the severest and most indignant repudiation on the part of all honest men" is that "honest men" was and will always be a mythical entity that was of no use to anyone except liars. Abandon your belief in "honest men", and continue to resist your desire to revive that belief. Only then can you ask yourself, "What can be accomplished?"

This quote comes from the Esornom Imaginaria, one of the two most popular books for tales about Patchy Kettle. The Esornom Imaginaria is divided into five books, this passage can be found in the Book of Ornasein, which is about the adventures of Patchy Kettle and a young poet-monk named Ornasein, who is the narrator. Ornasein tells us he is the duke of a rich province and he has many good wives and a horde of children. Many citizens admire and respect him, and few vilify him. His book is a fond reminiscence of a time when he was young, poor, mostly drunk and carefree. He remembers drinking so much that he is amazed at how his memories can be so vivid and full of detail. His stories have plenty of adventure, romance, horror, ironic twists, plus good advice from Patchy Kettle to his young companion. Ornasein confesses that he ignored all the advice, and thus became a rich, successful man who is miserable and powerless, crushed out of existence by his obligations to his wealth, family and nation. No longer human, he has become a machine that serves the whims and needs of other people. At the end of his book, he gets drunk one night, packs a knapsack with cheese, buffalo jerky and almond cakes, and runs away from everything. We learn in the other four books of the Esornom Imaginaria that Ornasein died years later in a state of bliss.

© 2017 lcmt
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